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As you all know Mike Oldfield has introduced in his music some topics referred to Alchemy.
But what is Alchemy? Alchemy is philosophy; it is the philosophy, the finding of the Sophia in the mind."
Alchemy is an ancient path of spiritual purification and transformation; the expansion of consciousness and the development of insight and intuition through images. Alchemy is steeped in mysticism and mystery. It presents to the initiate a system of eternal, dreamlike, esoteric symbols that have the power to alter consciousness and connect the human soul to the Divine.
Alchemy is part of the mystical and mystery traditions of both East and West. In the West, it dates to ancient Egypt, where adepts first developed it as an early form of chemistry and metallurgy. Egyptians alchemists used their art to make alloys, dyes, perfumes and cosmetic jewelry, and to embalm the dead.
The early Arabs made significant contributions to alchemy, such as by emphasizing the mysticism of numbers (quantities and lengths of time for processes). The Arabs also gave us the term 'alchemy', from the Arabic term 'alchimia', which loosely translated means 'GOD'S ART'.
During medieval and Renaissance times, alchemy spread through the Western world, and was further developed by Kabbalists, Rosicrucians, astrologers and other occultists. It functioned on two levels: mundane and spiritual. On a mundane level, alchemists sought to find a physical process to convert base metals such as lead into gold. On a spiritual level, alchemists worked to purify themselves by eliminating the "base" material of the self and achieving the 'gold' of enlightenment.
By Renaissance times, many alchemists believed that the spiritual purification was necessary in order to achieve the mundane transformations of metals.
The alchemists relied heavily upon their dreams, inspirations and visions for guidance in perfecting their art. In order to protect their secrets, they recorded diaries filled with mysterious symbols rather than text. These symbols remain exceptionally potent for changing states of consciousness.
"Transmutation" is the key word characterizing alchemy, and it may be understood in several ways: in the changes that are called chemical, in physiological changes such as passing from sickness to health, in a hoped-for transformation from old age to youth, or even in passing from an earthly to a supernatural existence. Alchemical changes seem always to have been positive, never involving degradation except as an intermediate stage in a process having a "happy ending." Alchemy aimed at the great human "goods": wealth, longevity, and immortality.
Metal and Mysticism: In the early centuries of our era, however, there gradually developed a mysticism among chemical writers due to Egyptian and Chaldean religious magical ideas, and there developed a fanciful relation of the metals as such to the sun and the planets, and as a consequence there arose the belief that it was necessary to confine the number of metals to seven.
Thus Olympidorous-in the 6th century of our era gives the following relation:
Gold - The Sun Silver - The Moon Electrum - Jupiter Iron - Mars Copper - Venus Tin - Mercury Lead - Saturn
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BLACK BIRD (LIGHT + SHADE)
The Black Crow sometimes also the Raven is the beginning of the great work of soul alchemy. This indicates the initial stages of the alchemist's encounter with his inner space, through withdrawing from the outer world of the senses in meditation, and entering what is initially the dark inner world of the soul. Thus this stage is also described in alchemical texts as the blackening, the nigredo experience, and it is often pictured as a death process, as in the caput mortuum, the deaths head, or as some alchemical illustrations show, the alchemist dying within a flask. Thus in the symbol of the Black Crow we have the stepping out in consciousness from the world of the physical senses the restrictions that bind us to the physical body.
FROM THE ASHES (GUITARS)
The Phoenix completes this process of soul development. The Phoenix bird builds its nest which at the same time is its funeral pyre, and then setting it alight cremates itself. But it arises anew from the ashes transformed. Here we have captured the alchemists experience of spiritualisation, He has integrated his being so much, that he is no longer dependent upon his physical body as a foundation for his being. He now stands upon the sureness of the spiritual - he has in this sense attained the Philosopher's Stone, the Spiritual core of his being. Thus we can sketch shortly the process of soul alchemy, the integration, purification and transmutation of the soul, as pictured in this series of bird symbols.
BLACK CROW - withdrawal - freeing of the from depend ence on the Physical senses PHOENIX - freeing of the spirit from the bounds of the physical WHITE SWAN - experience of the etheric body PELICAN - using consciously the forces of the etheric body PEACOCK - astral body consciousness - inward immersion - point of transformation - outward expression integration - purification - transmutation
The new phoenix embalms the ashes of the old phoenix in an egg made of myrrh and deposits it in Heliopolis ("the city of the sun" in Greek), located in Egypt. The bird was also said to regenerate when hurt or wounded by a foe, thus being almost immortal and invincible - a symbol of fire and divinity.
Although descriptions (and life-span) vary, the phoenix (Bennu bird) became popular in early Christian art, literature and Christian symbolism, as a symbol of Christ, and further, represented the resurrection, immortality, and the life-after-death of Jesus Christ. Originally, the phoenix was identified by the Egyptians as a stork or heron-like bird called a benu, known from the Book of the Dead and other Egyptian texts as one of the sacred symbols of worship at Heliopolis, closely associated with the rising sun and the Egyptian sun-god Ra.
QUICKSILVER (LIGHT + SHADE)
Mercury (Greek-hydra gyros, liquid silver; latin-argentum vivum, live or quicksilver). Burckhardt explains: Sulphur, the original masculine power, and Quicksilver, the original feminine power, both strive towards the wholeness of their one and eternal prototype. The latter is at the same time the reason for their opposition and of their mutual attraction - just as the masculine and feminine natures long for the integrality of the human state, and as a result of this seek both to separate from one another, and to unite with one another. By means of their physical union both try to re-establish the image of their common eternal prototype. This is the marriage of man and woman, sulphur and quicksilver, Spirit and soul.
AMBER LIGHT (THE MILLENNIUM BELL). I.E. GOD/GODDESS
From the golden water I have described can be obtained this white water, and a deep red tincture which deepens in colour the longer it is kept; these two are the mercury and the sulphur described by the alchemists, Sol the Father and Lune the Mother, the Male and the Female Principles, the White and Red Mercuries, which two conjoined again form a deep amber liquid. This is the Philosophic Gold, which is not made from metallic gold, but from another metal, and is a far more Potent Elixir than the oil of gold. This deep amber liquid literally shines and reflects and intensifies rays of light to an extraordinary degree. It has been described by many alchemists, which fact again corroborates my work in the laboratory. Indeed, every step which I have taken in the laboratory I have found in the work of the various followers of the Spagyric Art.
http://www.sacred-texts.com/alc/arr/arr18.htm http://www.crystalinks.com/alchemyindex.html http://www.horusmedia.de/2006-bernstein/bernstein.php <---Interesting article in German!!!
Take a look at this AZOTH picture... You can see the TUBULAR BELL i.e. SIRIUS STAR SYSTEM.
AMOR,
SIRIUS
IAO | O |
__________________ COMPUTER IS STILL WITH INCORRECT INFORMATION!!!
*§*ReSoLuTioN~ReVoLuTiOn~EvOLuTiOn*§*
¤MIKE OLDFIELD¤
24 Enero 2007, 8:26:00 |